What is material?

Environment

3D world

The material environment is a 3D space, which means all objects have x, y, and z dimensions. The z-axis is perpendicularly aligned to the plane of the display, with the positive z-axis extending towards the viewer. Every sheet of material occupies a single position along the z-axis and has a standard 1dp thickness.

On the web, the z-axis is used for layering and not for perspective. The 3D world is emulated by manipulating the y-axis.

3D space with x, y, and z axes

Light and shadow

Within the material environment, virtual lights illuminate the scene. Key lights create directional shadows, while ambient light creates soft shadows from all angles.

Shadows in the material environment are cast by these two light sources. In Android development, shadows occur when light sources are blocked by sheets of material at various positions along the z-axis. On the web, shadows are depicted by manipulating the y-axis only. The following example shows the card with a height of 6dp.

Shadow cast by key light

Shadow cast by ambient light

Combined shadow from key and ambient lights

Material Design- Based on Google

Introduction

We challenged ourselves to create a visual language for our users that synthesizes the classic principles of good design with the innovation and possibility of technology and science. This is material design. This spec is a living document that will be updated as we continue to develop the tenets and specifics of material design.

Goals

Create a visual language that synthesizes classic principles of good design with the innovation and possibility of technology and science.

Develop a single underlying system that allows for a unified experience across platforms and device sizes. Mobile precepts are fundamental, but touch, voice, mouse, and keyboard are all first-class input methods.

Principles

Material is the metaphor

A material metaphor is the unifying theory of a rationalized space and a system of motion. The material is grounded in tactile reality, inspired by the study of paper and ink, yet technologically advanced and open to imagination and magic.

Surfaces and edges of the material provide visual cues that are grounded in reality. The use of familiar tactile attributes helps users quickly understand affordances. Yet the flexibility of the material creates new affordances that supercede those in the physical world, without breaking the rules of physics.

The fundamentals of light, surface, and movement are key to conveying how objects move, interact, and exist in space and in relation to each other. Realistic lighting shows seams, divides space, and indicates moving parts.

Bold, graphic, intentional

The foundational elements of print-based design—typography, grids, space, scale, color, and use of imagery—guide visual treatments. These elements do far more than please the eye. They create hierarchy, meaning, and focus. Deliberate color choices, edge-to-edge imagery, large-scale typography, and intentional white space create a bold and graphic interface that immerse the user in the experience.

An emphasis on user actions makes core functionality immediately apparent and provides waypoints for the user.

Motion provides meaning

Motion respects and reinforces the user as the prime mover. Primary user actions are inflection points that initiate motion, transforming the whole design.

All action takes place in a single environment. Objects are presented to the user without breaking the continuity of experience even as they transform and reorganize.

Motion is meaningful and appropriate, serving to focus attention and maintain continuity. Feedback is subtle yet clear. Transitions are efficient yet coherent.

10 webdesign trends in 2015

In 2014, the biggest web design trends included: grid layouts, flat design, background videos, and the increasing capabilities of HTML5 APIs.

So which trends, technologies and techniques will define 2015? net magazine set out to uncover them by asking 20 of the web’s brightest designers, developers and thinkers.

Here’s our list of 2015’s defining trends. Some ideas are featured in net magazine’s feature. Most contained here are exclusive, and you won’t read them anywhere else.

1. Huge background images

02. Card-based design

Creative director Haraldur Thorleifsson says card-based design will be big: “Content needs to fit on different types and sizes of screen, and cards are the easiest way to make that work across platforms.” He adds this presents a design challenge, since cards can be dull, “but we’re seeing fun, clever takes on this from companies like Google”.

03. Digital-first branding

Clearleft founder Andy Budd (clearleft.com) says “as more companies realise their customers’ primary experience with them is online, we’ll see more digital-first-approaches to branding”. He predicts companies “ditching traditional branding agencies who treat the web with the same care as a branded mug”, instead “commissioning digital agencies to conceive a brand that works first online before filtering down to other channels.”

Ghostly Ferns founder Meg Lewis (darngood.co) adds this may result in “more brands with responsive, fluctuating logos,” which will “force designers to think about a logo from ‘big picture’ to ‘minute detail’ as it scales”.

04. Open data

Sally Jenkinson says open data’s been on the rise, but many digital spaces remain “more closed than ever” and so “leaders such as The Open Data Institute are working to promote more openness”. She reckons this will gain public awareness in 2015, and projects will respond accordingly, in terms of publishing and consumption.

Clearleft’s Andy Parker says we’ll therefore see “more public and private companies making data and content available”. In turn, this will result in “some pretty spectacular services being created, like the Cern sandbox”.

05. Responsive design – evolved

Designer Victor Erixon (minimalt.se) expects the industry to “continue maintaining simple and minimal aesthetics,” with the web “becoming fully customised for different viewports”.

But others see responsive design going further. Jonathan Smiley (jsmiley.me) thinks we’ll see “responsive design practices become more important in native apps,” in part through a proliferation of wearables. “Apple Watch, for example, relies on a responsive-like flow to accommodate a small screen, and so while 2015 isn’t the year the web and native become the same, it’ll get us much closer.”

06. Privacy

Designer Laura Kalbag (laurakalbag.com) says we’ve long “designed for security, so people can trust forms and checkouts with their information”. Now, as people become aware of how data can be exchanged with third parties, “they’ll be reluctant to share it without good reason — and rightly so”.

07. Isomorphic JavaScript

Aaron Gustafson has a different take on JavaScript frameworks

Web design author and practitioner Aaron Gustafson has an alternate take on investment in frontend JavaScript frameworks like Angular and Ember: “Development benefits can be great in terms of speed of development, but there are costs to using this approach. JavaScript is the single biggest point of failure in any web-based product. Unlike on the server side, we do not control the execution of code in the browser.”

He therefore reckons we’ll see more use of isomorphic JavaScript, for companies that have heavily invested in JavaScript for their site infrastructure: “It offers improvements in the areas of performance, SEO, and maintainability to boot. Airbnb and Twitter have moved to this approach. Others will surely follow.”

08. Iteration

Designer Robby Leonardi mulls that perhaps 2015’s big trend will be iteration on what we already have: “We just had trends such as responsive and flat design, and it will take time for another big thing to happen.”

By contrast, he sees enhancements on existing concepts and technologies, with increasingly sophisticated web layouts, better typography, and more designing in the browser.

09. Vibrant design

Google’s Material design is set to inspire designers

BaseKit co-founder Richard Healy believes Google’s Material design specification – intended to combine the texture and tactility of paper and ink with the ‘imagination and magic of digital’ – will inspire designers.